the venue


TV Eye is a new kind of night club on a geographical and cultural frontier, proudly occupying both a space on the edge of the Bushwick/Ridgewood border and in the vanguard of contemporary nightlife. Owned, operated, and conceived by a diverse aggregation from Bowery Ballroom, Home Sweet Home, New York Night Train, Sacred Bones Records, and WFMU, the club was meticulously constructed from hard-learned lessons of the seven operating partners’ over 200 combined years in nearly all aspects of the music and nightlife industry. While this unique assemblage is best known for helming a number of legendary institutions, they’ve also spent over 10,000 combined nights on the other side – playing in bands, DJing, and bartending. TV Eye is their attempt to raise the bar all around for artists, staff, and patrons, offer an exquisite nightlife experience, and develop a nightclub like no other.

TV Eye describes itself as simply a “funhaus” as it is too many things at once – a bar,  music venue,  dance club, restaurant, art gallery, cinema,  community center, and much more. All of these superficially disparate elements work in concert to establish an integrated whole where you can take in an early art show or maybe a screening, grab dinner, catch a band, comedy show, or multimedia event, dance the night away, and buy your friends last call shots without leaving the club’s four bar rooms, gallery, and courtyard. This isn’t merely a bar where you pop in for a couple of drinks without discovering something new.  Conversely it isn’t the kind of venue where you see a show and leave. Inspired by the cultural function of the iconic nightclubs of the past that seeded the most important music scenes of all time, TV Eye enters the future by bringing unusual people together in an unusual environment for a variety of experiences and interactions under one roof – building new communities in the process.

Infinitely adaptable for a variety of artistic mediums and social events, the space is designed to foster a seamless flow of music, dancing, visuals, and human interaction with the highest-quality production values. The programming is deliberately subcultural, typically community-based, and as distinctive as possible. The democratic bar menu includes everything from $4 beer and cheap specials to market-rate finer wines, craft beers, and cocktails served by a friendly experienced bar staff – some of whom are your favorite artists, DJs, and members of the underground’s most exciting bands. The food is accessibly-priced, locally sourced, and homemade. All of the art and design, an infinite work in progress, was dreamed of and realized by a combination of the partners and their talented friends. The aesthetics deliberately abandon typical rock club drabness in favor of the beauty, exuberance, and imagination of  the most artful rock LP covers, cinema, and fashion. 

Brian Swier’s innovative design is a cluster of four intimate spaces connected by an eye-shaped wooden bar snaking throughout. TV Eye’s infinitely adaptable layout functions as everything from four distinct rooms with different vibes and bartenders to a single open winding bar for a massive party with multiple environments. Another uniting factor of the structure is the wood floor that remains not only for aesthetic purposes but is also ideal for acoustics and dancing. The ancient floorboards are all that remain from the original 1930s textile factory interior that previously occupied the space. The fluid design isn’t only ideal for multi-room public and private parties but also a location for filming – and has already been rented for everything from birthday parties, weddings, and company events to television, music video, and photoshoots. Go here if you’re interested in renting out TV Eye.


The 250-capacity venue room possesses the supreme sound and lighting quality the world has come to expect from the Swier brothers’ venues (NYC’s Bowery Ballroom, LA’s Teragram Theater, etc). The warm vibrance of the gold room is emphasized by a red velvet curtain, an arced stage, color-changing footlights, disco balls, a curved bar, and a hand-made custom DJ booth constructed by Dillan Archer of the band C.T. Hustle and The Muscle. The Ballroom also features a wide-screen and top-of-the-line projector for both live visuals and screenings. The venue’s P.A., backline, lighting, DJ and projection gear, and other equipment are all new and state-of-the-art. Go here for our complete technical specs. Bands step on and off the stage directly from the decked-out Green Room in the wings behind closed curtains that only open when the band is ready. The venue hosts both major and under-the-radar rock shows followed by large dance parties with some of the world’s most prominent DJs. In the short time, TV Eye has been fully opened, it has already presented a diversity of live acts of all stripes, from up and coming underground stars to living legends: A. Savage, Bambara, Black Lips, Christeene, The Gories, Hank Wood and The Hammerheads,  L.O.T.I.O.N., Luna, Lydia Lunch Retrovirus, Matt and Kim, The Mummies, The Mystery Lights, Negative Approach, The Nude Party, Sarah Sherman, Seth Bogart, Seven Seconds, Sheer Mag, Shilpa Ray, Surfbort, Tall Juan, Ted Leo, Warthog, Wreckless Eric, Yard Act, Yo La Tengo,  Zack Fox, and hundreds more! 


The front lounge, surrounding a horseshoe shaped bar, is adorned with an 8-foot nude reverse-gaze Iggy Pop odalisque oil painting by DJ Sophie Thunder, an original 1972 Seeburg 45 jukebox (the same model CBGB boasted), a 1950s phone booth obtained from a convent, and a mix of vintage and contemporary art, photographs, ephemera, knick knacks, and signage. Its six widely-Instagrammed restrooms, collaged by local artists, each boast a distinct soundtrack and theme. Also TV Eye’s point of entry, the front bar is an intimate neighborhood haunt open every night from happy hour to close. 

Jukebox Bar


The anteroom, connecting the front bar, venue, and gallery, boasts gold peacock mirrors and peacock feather-inspired art deco wall patterns designed and hand painted by gilder/artist Leah Beth of the band Habibi. It is illuminated by the warm motion of a gold disco ball and is currently also employed for smaller local DJ parties and bar hangouts. 

ROOM 237

The hidden bar, only accessible to the public through the coat check hallway, is functionally inspired by the iconic back room of Max’s Kansas City. An extension of the Green Room, it isn’t only occupied by performers and their friends, but is often rented out for smaller exclusive gatherings.  Designed by TV Eye partner and Sacred Bones Records proprietor Caleb Braaten, this visual homage to the Room 237 bathroom scene in The Shining contains a “Maltese Falcon” by British sculptor Corin Johnsonand a fantasy landscape by Lexington, KY musician Robert Beatty of Hair Police – whose art is best known from his iconic LP covers for Tame Impala’s CurrentsandKesha’s Rainbow.

Room 237


Immediately connected to the side of the main eye-shaped structure, Zone 6 also boasts an art gallery and kitchen on its edge. The gallery is curated by Braaten and MoMA PS1/Broad Museum curator, writer, and ex-Pitchfork editor Brandon Stosuy. Barker and Sons, the club’s innovative but unpretentious kitchen, features local hero/chef Ross Noyes’ made-to-order, infinitely customizable locally-sourced original recipes. 


TV Eye’s massive courtyard is adorned with long benches, picnic tables, plants, retractable awnings, powerful heaters, and occasionally an outdoor bar. During warmer months this is TV Eye’s most popular environment for their world-famous nachos, homemade frozen cocktails, and marathon open-air lounging sessions.  On the opposite side of its front gate, musicians have been thrilled to find some of the only band parking spaces at any NYC venue.